--- title: "T_370, full record | Crucible Year" url: https://peteryuill.art/archive/works/T_370 description: "Crucible Year: a continuous year of sumi ink painting on paper by Peter Yuill, begun 29 December 2025." source: generated from the Crucible Year master database --- Archive · full record # T_370 [The work as shown](https://peteryuill.art/works/T_370). Every value below comes from vae.db, the master database of the Crucible Year. ## Recorded - **Date:** 2026.09.12, day 258 - **Size:** 100 × 90 cm - **Paper:** S14, Half-Cooked Red Star Mo She 6-Foot Bark Xuan Paper - **Inks:** MB6, MB7, MB8 - **Phase:** P4 S14 - **Shown on the site:** yes (V23 rating of 5.0 or higher) - **Early storage triage:** SHP: save, has potential (Peter's early system, since retired) ## Measured · V23 (v23.8) - **V23 rating:** 7 - **Form:** 2.4 - **Tonal depth:** 2 - **Layering:** 3 - **Composition:** 2 - **Material and surface:** 2 - **Ink cover:** 72% - **Dark share:** 63% - **Tonal steps:** 5 - **Flaws named by the reads:** other 10 The V23 rating runs from 1 to 9, with 5 the middle of this body of work. It is the engine's reading, and the reference the archive is measured against. ## How the number was made Read by the Visual Analysis Engine, version 23.8, on 2026.10.06: measured by code, then read 5 times by Claude Opus 5.5 against three reference paintings (R1 to R3), each read independent of the others. [How the engine works](https://peteryuill.art/method). WHAT THE CODE SEES ## Three views of one sheet. Left, the photograph. Centre, the tone stretch the model is shown beside it: the darkest 45% of tones spread over the whole range, so flat black, banding and stains show. Right, every pixel as the measuring code classes it: cyan black ink, deep teal translucent grey, stone the palest ink, near black bare paper. ![T_370] ![T_370, tone-stretched] ![T_370, classed by brightness] 72% of the sheet carries ink TONAL STEPS ## 5 families of tone. Every inked pixel's brightness in 64 bins, smoothed; each circled peak holds at least 4% of the ink. Life inside the black: 0.059 (under 0.045 reads as flat). FIVE READS ## Five reads, agreeing on 4 of 5 qualities. Each quality placed on its ladder by each read, and the mean the engine keeps. Where reads differ, they differ by one rung; close calls resolve down. READ 1 READ 2 READ 3 READ 4 READ 5 MEAN Form 3 FLUENT 2 BUILT 3 FLUENT 2 BUILT 2 BUILT 2.4 Tonal depth 2 MODELLED 2 MODELLED 2 MODELLED 2 MODELLED 2 MODELLED 2.0 Layering 3 ORDERED 3 ORDERED 3 ORDERED 3 ORDERED 3 ORDERED 3.0 Composition 2 WORKING 2 WORKING 2 WORKING 2 WORKING 2 WORKING 2.0 Material and surface 2 SOUND 2 SOUND 2 SOUND 2 SOUND 2 SOUND 2.0 ### READ 1, IN ITS OWN WORDS “This is a single fan of stacked translucent arcs in R3's idiom, with clear ordered layering and fluent bands. But the dark centre is heavy and nearly flat, the composition is one-sided, and the paper has creases. Overall above ordinary, below R3.” Form · FLUENT Each arc band follows the curved sweep of a wide brush with clean walls and dry-brush ends at right; the central darkest band reads heavier but still follows the stroke. WEAKEST Bulky darkest fan band in the centre, heavy filled interior STRONGEST Upper translucent arc band with dry-brush trailing edge Tonal depth · MODELLED Five tonal steps across stacked arcs; upper greys show streaked grain. The central black band shows faint arcs only in stretched view and reads flat at viewing distance. WEAKEST Darkest central band is near-uniform black in colour view STRONGEST Upper grey arcs with streaked brush grain Layering · ORDERED Several translucent arc passes stack from pale top to dark centre; each overlap stays legible and the order of passes reads clearly across the fan. WEAKEST Lower-left pale arcs partly buried under dark band STRONGEST Stepped overlaps of translucent arcs, top to centre Composition · WORKING Fan of arcs climbs from bottom centre to upper left with clear radial direction; mass is weighted left and centre, the right paper reads more leftover than shaped. WEAKEST Right and bottom-right paper left largely inactive STRONGEST Rising fan rhythm of concentric arcs Material and surface · SOUND Ink controlled with no tide lines in dark masses; paper creases visible through the arcs and scattered splashes on right paper are minor. WEAKEST Crease lines and stray splatter at right edge STRONGEST Dry-brush grain on upper grey arcs FLAWS ## 4 distinct places, 0 major. Each read must name every flaw and where it is, in a ninth of the sheet. Here the reads named flaws in 4 distinct places, 10 mentions in all across 5 reads; the number in each ninth is how many times a flaw was named there. Reads agreeing on a place strengthen the evidence for one flaw; they do not multiply it. GEOMETRY ## Measured from the 16-bit master. The previous engine (V22) measured this sheet's master file: 1 principal ink mass traced (cyan), 4 enclosed voids at true size in their grid cells (amber), the main gesture from start to end (red). Of 15 edge segments, 60% crisp, 40% soft or bloomed, 0% broken. RULE 1 Two tonal steps or fewer Tonal depth held at rung 1. 5 steps: not applied RULE 2 A major flaw Material held at rung 1. Mild waves in the unmounted paper are never a flaw. none named RULE 3 Any quality below 0.5 The rating cannot exceed 4. lowest 2.0 RULE 4 At least two valid reads A read that breaks the reply format is discarded. 5 of 5 valid THE ARITHMETIC ## V23 rating 7.0. Engine v23.8, 5 reads. Fixed arithmetic, the same for every painting; the constants were set on 24 randomly chosen paintings so the median sheet scores 5. The scale is relative to this archive, not to painting in general, and a difference of less than half a point between two paintings is noise. MEAN RUNG 2.28 (2.4 + 2.0 + 3.0 + 2.0 + 2.0) ÷ 5 → RAW 5.56 1 + 2 × 2.28 → RATING 7.0 5 + 2.086 × (5.56 − 4.60) ## Where next [Every record the full archive](https://peteryuill.art/archive)[2026.09.12 every painting from this date](https://peteryuill.art/days/2026-09-12)