---
title: "T_376, full record | Crucible Year"
url: https://peteryuill.art/archive/works/T_376
description: "Crucible Year: a continuous year of sumi ink painting on paper by Peter Yuill, begun 29 December 2025."
source: generated from the Crucible Year master database
---

Archive · full record

# T_376

[The work as shown](https://peteryuill.art/works/T_376). Every value below comes from vae.db, the master database of the Crucible Year.

## Recorded

- **Date:** 2026.09.12, day 258
- **Size:** 90 × 100 cm
- **Paper:** S14, Half-Cooked Red Star Mo She 6-Foot Bark Xuan Paper
- **Inks:** MB6, MB7, MB8, MC
- **Phase:** P4 S14

- **Shown on the site:** yes (V23 rating of 5.0 or higher)

- **Early storage triage:** SHP: save, has potential (Peter's early system, since retired)

## Measured · V23 (v23.8)

- **V23 rating:** 5
- **Form:** 2
- **Tonal depth:** 1
- **Layering:** 2
- **Composition:** 2
- **Material and surface:** 2
- **Ink cover:** 91%
- **Dark share:** 80%
- **Tonal steps:** 2

- **Flaws named by the reads:** water stain 5, other 6

The V23 rating runs from 1 to 9, with 5 the middle of this body of work. It is the engine's reading, and the reference the archive is measured against.

## How the number was made

Read by the Visual Analysis Engine, version 23.8, on 2026.10.06: measured by code, then read 5 times by Claude Opus 5.5 against three reference paintings (R1 to R3), each read independent of the others. [How the engine works](https://peteryuill.art/method).

WHAT THE CODE SEES

## Three views of one sheet.

Left, the photograph. Centre, the tone stretch the model is shown beside it: the darkest 45% of tones spread over the whole range, so flat black, banding and stains show. Right, every pixel as the measuring code classes it: cyan black ink, deep teal translucent grey, stone the palest ink, near black bare paper.

![T_376]

![T_376, tone-stretched]

![T_376, classed by brightness]

91% of the sheet carries ink

TONAL STEPS

## 2 families of tone.

Every inked pixel's brightness in 64 bins, smoothed; each circled peak holds at least 4% of the ink. Two or fewer: Tonal depth is held at the bottom rung whatever the model reads. A dense sheet of many translucent passes can count low here, so Layering is left to the reads. Life inside the black: 0.051 (under 0.045 reads as flat).

FIVE READS

## Five reads, one answer.

Each quality placed on its ladder by each read, and the mean the engine keeps.

READ 1 READ 2 READ 3 READ 4 READ 5 MEAN

Form 2 BUILT 2 BUILT 2 BUILT 2 BUILT 2 BUILT 2.0

Tonal depth 2 MODELLED 2 MODELLED 2 MODELLED 2 MODELLED 2 MODELLED 2.0

Layering 2 LEGIBLE 2 LEGIBLE 2 LEGIBLE 2 LEGIBLE 2 LEGIBLE 2.0

Composition 2 WORKING 2 WORKING 2 WORKING 2 WORKING 2 WORKING 2.0

Material and surface 2 SOUND 2 SOUND 2 SOUND 2 SOUND 2 SOUND 2.0

### READ 1, IN ITS OWN WORDS

“A spiral of broad arc bands with a red under-layer, in the same family as R3 but heavier and denser. The lower dark slab is flat and bulky, and the bands crowd the frame. It is a sound, ordinary sheet.”

Form · BUILT

Concentric arc bands read as coherent spiral forms with holding walls; the lower-left dark block is a heavy rectangular slab with stiff, squared top edge.

WEAKEST Bulky slab-like dark block at lower left

STRONGEST Upper sweeping arc band following brush travel

Tonal depth · MODELLED

Tone-stretched view shows grain, creasing and stepped greys in upper arcs; the lower dark sweep is heavy and close to flat; only two tonal plateaus measured.

WEAKEST Lower dark mass, near-uniform dense black

STRONGEST Upper right arcs showing graded translucent grey bands

Layering · LEGIBLE

Several arc passes overlap legibly on the right and around the inner opening; red under-layer shows top-left; the lower dark pass largely buries what lies beneath.

WEAKEST Dense black lower sweep covering earlier passes

STRONGEST Overlapping arc segments on right edge stay legible

Composition · WORKING

Spiral carries the eye clockwise around a shaped white core; but the bands crowd every edge and the left margin leftovers feel unresolved.

WEAKEST Crowded edges; ink fills about 90% of sheet

STRONGEST Spiral movement round the shaped pale inner opening

Material and surface · SOUND

Ink controlled; crumpled-paper crease texture throughout; faint mottled pale patches in the lower-left black visible mainly in tone-stretched view; small specks at right edge.

WEAKEST Cloudy pale blotches inside lower-left dark mass

STRONGEST Dry-brush streaked edges of arc bands at right

FLAWS

## 5 distinct places, 0 major.

Each read must name every flaw and where it is, in a ninth of the sheet. Here the reads named flaws in 5 distinct places, 11 mentions in all across 5 reads; the number in each ninth is how many times a flaw was named there. Reads agreeing on a place strengthen the evidence for one flaw; they do not multiply it.

GEOMETRY

## Measured from the 16-bit master.

The previous engine (V22) measured this sheet's master file: 2 principal ink masses traced (cyan), 3 enclosed voids at true size in their grid cells (amber), the main gesture from start to end (red). Of 17 edge segments, 65% crisp, 35% soft or bloomed, 0% broken.

RULE 1 Two tonal steps or fewer

Tonal depth held at rung 1. 2 steps: applied

RULE 2 A major flaw

Material held at rung 1. Mild waves in the unmounted paper are never a flaw. none named

RULE 3 Any quality below 0.5

The rating cannot exceed 4. lowest 2.0

RULE 4 At least two valid reads

A read that breaks the reply format is discarded. 5 of 5 valid

Caps the code applied: {"run_id":"T_376","cap_no":1,"read_no":1,"cap_text":"sample 1: T 2->1: tonal_steps=2 (<=2)"}; {"run_id":"T_376","cap_no":2,"read_no":2,"cap_text":"sample 2: T 2->1: tonal_steps=2 (<=2)"}; {"run_id":"T_376","cap_no":3,"read_no":3,"cap_text":"sample 3: T 2->1: tonal_steps=2 (<=2)"}; {"run_id":"T_376","cap_no":4,"read_no":4,"cap_text":"sample 4: T 2->1: tonal_steps=2 (<=2)"}; {"run_id":"T_376","cap_no":5,"read_no":5,"cap_text":"sample 5: T 2->1: tonal_steps=2 (<=2)"}.

THE ARITHMETIC

## V23 rating 5.0.

Engine v23.8, 5 reads. Fixed arithmetic, the same for every painting; the constants were set on 24 randomly chosen paintings so the median sheet scores 5. The scale is relative to this archive, not to painting in general, and a difference of less than half a point between two paintings is noise.

MEAN RUNG 2.00 (2.0 + 2.0 + 2.0 + 2.0 + 2.0) ÷ 5
→

RAW 5.00 1 + 2 × 2.00
→

RATING 5.8 5 + 2.086 × (5.00 − 4.60)

## Where next

[Every record the full archive](https://peteryuill.art/archive)[2026.09.12 every painting from this date](https://peteryuill.art/days/2026-09-12)
