Crucible Year Peter Yuill
Archive · full record

T_339

The work as shown. Every value below comes from vae.db, the master database of the Crucible Year.

Recorded

Date
2026.06.03, day 157
Size
97 × 180 cm
Paper
S12, Red Star Mo She Special Effect Xieyi, half-raw
Inks
MB4, MB5, MB6
Phase
P3 The Floor Rises
Shown on the site
yes (V23 rating of 5.0 or higher)
Early storage triage
SA: save, archive (Peter's early system, since retired)

Measured · V23 (v23.8)

V23 rating
8.2
Form
2.4
Tonal depth
2.6
Layering
3
Composition
2.8
Material and surface
2
Ink cover
78%
Dark share
52%
Tonal steps
4
Flaws named by the reads
ring 1, other 5, water stain 4
The V23 rating runs from 1 to 9, with 5 the middle of this body of work. It is the engine's reading, and the reference the archive is measured against.

Peter's own rating

Rating
7
Peter's rating is his own eye, not the engine's, and he never gives a 10.
“There is always something that can be done better.”
Peter Yuill · 2026.07.02

Older engine

V10C
8
From an earlier engine (V10C). Its scale differs from V23's, so it is only ever compared with other readings by the same engine.

How the number was made

Read by the Visual Analysis Engine, version 23.8, on 2026.10.06: measured by code, then read 5 times by Claude Opus 5.5 against three reference paintings (R1 to R3), each read independent of the others. How the engine works.

WHAT THE CODE SEES

Three views of one sheet.

Left, the photograph. Centre, the tone stretch the model is shown beside it: the darkest 45% of tones spread over the whole range, so flat black, banding and stains show. Right, every pixel as the measuring code classes it: cyan black ink, deep teal translucent grey, stone the palest ink, near black bare paper.

T_339T_339, tone-stretchedT_339, classed by brightness
78%of the sheet carries ink
Black 52%Grey 36%Light 12% SHARE OF THE INK, NOT OF THE SHEET
TONAL STEPS

4 families of tone.

Every inked pixel's brightness in 64 bins, smoothed; each circled peak holds at least 4% of the ink. Life inside the black: 0.056 (under 0.045 reads as flat).

0.300.751234 BLACK INK TRANSLUCENT GREYS PALEST INK, 0.88 LUMINANCE OF EVERY INKED PIXEL, 64 BINS. PAPER (ABOVE 0.88) IS LEFT OUT.
FIVE READS

Five reads, agreeing on 2 of 5 qualities.

Each quality placed on its ladder by each read, and the mean the engine keeps. Where reads differ, they differ by one rung; close calls resolve down.

READ 1READ 2READ 3READ 4READ 5MEAN
Form3FLUENT3FLUENT2BUILT2BUILT2BUILT2.4
Tonal depth3DEEP2MODELLED3DEEP3DEEP2MODELLED2.6
Layering3ORDERED3ORDERED3ORDERED3ORDERED3ORDERED3.0
Composition3COMMANDING3COMMANDING3COMMANDING2WORKING3COMMANDING2.8
Material and surface2SOUND2SOUND2SOUND2SOUND2SOUND2.0

READ 1, IN ITS OWN WORDS

“Fan of layered arc segments close to R3's idiom: ordered translucent passes, graded greys, shaped void. Lowest black arc somewhat bulky, right side crowded, minor blots at left keep material at sound.”

Form · FLUENT

Arc segments follow brush travel around a common centre; walls hold with dry-brush ends. Lowest black arc is bulky but still curved and made.

WEAKEST heavy lowest black arc, slightly slab-like at left end

STRONGEST upper black trapezoid segment with clean dragged walls

Tonal depth · DEEP

Modulation 0.056, four tonal steps; tone-stretched view shows arcs, grain and crackle inside black masses, and a stepped range of greys outward to paper.

WEAKEST darkest lower arc near-uniform at left end

STRONGEST right-side grey segments graded with brush banding

Layering · ORDERED

Pale grey fan segments laid first, mid greys then black over them; overlaps read clearly across top and right, building depth in sequence.

WEAKEST black arcs partly cover earlier grey passes

STRONGEST translucent pale segments overlapping at upper left

Composition · COMMANDING

One sweeping arc carries eye from left to bottom right; the inner white void and upper-left paper are shaped. Weight crowds right edge somewhat.

WEAKEST bottom-right crop feels heavy and cut

STRONGEST sweeping fan arc around the open lower-centre void

Material and surface · SOUND

Ink controlled with dry-brush edges; small blot/ring marks in pale grey at left edge; crinkle network across darks reads as paper texture, not major.

WEAKEST small pale blots in left grey wash

STRONGEST dry-brush grain at segment ends, upper centre

FLAWS

3 distinct places, 0 major.

Each read must name every flaw and where it is, in a ninth of the sheet. Here the reads named flaws in 3 distinct places, 10 mentions in all across 5 reads; the number in each ninth is how many times a flaw was named there. Reads agreeing on a place strengthen the evidence for one flaw; they do not multiply it.

5 × RING, WATER STAIN“small round blots in pale grey wash at left e…”4 × OTHER“paper crease network visible across dark arcs”WHOLE SHEET · 1 × OTHERWATER STAINRINGOTHER
GEOMETRY

Measured from the 16-bit master.

The previous engine (V22) measured this sheet's master file: 1 principal ink mass traced (cyan), 2 enclosed voids at true size in their grid cells (amber), the main gesture from start to end (red). Of 16 edge segments, 38% crisp, 31% soft or bloomed, 31% broken.

A1B1C1D1E1F1A2B2C2D2E2F2A3B3C3D3E3F3H1H2
RULE 1Two tonal steps or fewer

Tonal depth held at rung 1.

4 steps: not applied
RULE 2A major flaw

Material held at rung 1. Mild waves in the unmounted paper are never a flaw.

none named
RULE 3Any quality below 0.5

The rating cannot exceed 4.

lowest 2.0
RULE 4At least two valid reads

A read that breaks the reply format is discarded.

5 of 5 valid
THE ARITHMETIC

V23 rating 8.2.

Engine v23.8, 5 reads. Fixed arithmetic, the same for every painting; the constants were set on 24 randomly chosen paintings so the median sheet scores 5. The scale is relative to this archive, not to painting in general, and a difference of less than half a point between two paintings is noise.

MEAN RUNG2.56(2.4 + 2.6 + 3.0 + 2.8 + 2.0) ÷ 5
→
RAW6.121 + 2 × 2.56
→
RATING8.25 + 2.086 × (6.12 − 4.60)